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Julius Caesar's self-created image and its dramatic afterlife / Miryana Dimitrova.
Τύπος υλικού:
ΚείμενοΣειρά: Bloomsbury studies in classical receptionΛεπτομέρειες δημοσίευσης: London : Bloomsbury, 2018.Περιγραφή: viii, 236 σ. ; 25 εκISBN: - 9781474245753 (hardback)
- 822.09 23
Περιεχόμενα:
Περίληψη: "The first analysis of Julius Caesar's self-representation in his Commentaries, from the point of view of how the themes and characterisation have been appropriated or contested by major dramatic representations"--
"I am he": aspects of Caesar's self-representation in the commentaries -- Efficient benevolence, the shadow of hubris and an Eastern infatuation -- "For always I am Caesar": performative actualization of Caesar's self-styled image and illeism as a marker of self-institutionalization -- Transhistorical and quasi-divine: Caesar connecting the threads of time.
| Τύπος τεκμηρίου | Τρέχουσα βιβλιοθήκη | Ταξιθετικός αριθμός | Αριθμός αντιτύπου | Κατάσταση | Ημερομηνία λήξης | Ραβδοκώδικας |
|---|---|---|---|---|---|---|
![Book [21]](https://library.upatras.gr/nereus/nereus-book-yes.png "Book [21]")
Book [21]
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Θεατρικών Σπουδών | 822.09 DIM (Περιήγηση στο ράφι(Άνοιγμα παρακάτω)) | 1 | Διαθέσιμο | 025000274888 |
Βασισμένο στην Δ. διατρική του συγγραφέα --King's College, London, 2013.
Περιλαμβάνει βιβλιογραφία και ευρετήριο.
"I am he": aspects of Caesar's self-representation in the commentaries -- Efficient benevolence, the shadow of hubris and an Eastern infatuation -- "For always I am Caesar": performative actualization of Caesar's self-styled image and illeism as a marker of self-institutionalization -- Transhistorical and quasi-divine: Caesar connecting the threads of time.
"The first analysis of Julius Caesar's self-representation in his Commentaries, from the point of view of how the themes and characterisation have been appropriated or contested by major dramatic representations"--
