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Performing pedagogy : toward an art of politics / Charles R. Garoian.

Κατά: Τύπος υλικού: ΚείμενοΚείμενοΣειρά: SUNY series, interruptions--border testimony(ies) and critical discourse/s | SUNY series, innovations in curriculumΛεπτομέρειες δημοσίευσης: Albany, N.Y. : State University of New York Press, 1999.Περιγραφή: 1 online resource (xii, 248 pages) : illustrationsΤύπος περιεχομένου:
  • text
Τύπος υλικού:
  • computer
Τύπος φορέα:
  • online resource
ISBN:
  • 0585274401
  • 9780585274409
  • 9780791443248
  • 0791443248
  • 9780791443231
  • 079144323X
Θέμα(τα): Είδος/Μορφή: Επιπρόσθετες φυσικές μορφές: Print version:: Performing pedagogy.Ταξινόμηση DDC:
  • 370/.1 21
LOC classification:
  • NX504 .G37 1999eb
Πηγές στο διαδίκτυο:
Περιεχόμενα:
Performance Art: Repositioning the Body in Postmodern Art Education -- The Emancipatory Pedagogy of Performance Art -- Goat Island: Spectacle as Performance Art Pedagogy -- Robbie McCauley's Talk-About Pedagogy -- Understanding Performance Art as Curriculum Text: The Community-based Pedagogy of Suzanne Lacy -- Constructing Identity: An Autobiographical Case Study of Performance Art -- Constructing a Performance Art Pedagogy.
Περίληψη: "Performing Pedagogy examines the theory and practice of performance art as an art of politics. It discusses the different ways in which performance artists use memory and cultural history to critique dominant cultural assumptions, to construct identity, and to attain political agency. In doing so, Garoian argues, performance artists like Rachel Rosenthal, Guillermo Gomez-Pena, Robbie McCauley, Suzanne Lacy, and the performance art collective Goat Island engage in the practice of critical citizenship and radical forms of democracy that have significant implications for teaching in the schools. Finally, Garoian contextualizes performance art pedagogy within his own cultural work to illustrate how his own memory and cultural history have informed his production of performance art works and his classroom teaching practices."--BOOK JACKET. Title Summary field provided by Blackwell North America, Inc. All Rights Reserved.
Δεν αντιστοιχούν φυσικά τεκμήρια σε αυτήν την εγγραφή

Includes bibliographical references and index.

Performance Art: Repositioning the Body in Postmodern Art Education -- The Emancipatory Pedagogy of Performance Art -- Goat Island: Spectacle as Performance Art Pedagogy -- Robbie McCauley's Talk-About Pedagogy -- Understanding Performance Art as Curriculum Text: The Community-based Pedagogy of Suzanne Lacy -- Constructing Identity: An Autobiographical Case Study of Performance Art -- Constructing a Performance Art Pedagogy.

Print version record.

"Performing Pedagogy examines the theory and practice of performance art as an art of politics. It discusses the different ways in which performance artists use memory and cultural history to critique dominant cultural assumptions, to construct identity, and to attain political agency. In doing so, Garoian argues, performance artists like Rachel Rosenthal, Guillermo Gomez-Pena, Robbie McCauley, Suzanne Lacy, and the performance art collective Goat Island engage in the practice of critical citizenship and radical forms of democracy that have significant implications for teaching in the schools. Finally, Garoian contextualizes performance art pedagogy within his own cultural work to illustrate how his own memory and cultural history have informed his production of performance art works and his classroom teaching practices."--BOOK JACKET. Title Summary field provided by Blackwell North America, Inc. All Rights Reserved.

OCLC WorldCat Holdings

eBooks on EBSCOhost All EBSCO eBooks

Πανεπιστήμιο Πατρών, Βιβλιοθήκη & Κέντρο Πληροφόρησης, 265 04, Πάτρα
Τηλ: 2610969621, Φόρμα επικοινωνίας
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