Zen Buddhist landscape arts of early Muromachi Japan (1336-1573) / Joseph D. Parker.
Τύπος υλικού:
ΚείμενοΣειρά: SUNY series in Buddhist studiesΛεπτομέρειες δημοσίευσης: Albany, N.Y. : State University of New York Press, �1999.Περιγραφή: 1 online resource (xiv, 302 pages) : illustrationsΤύπος περιεχομένου: - text
- computer
- online resource
- 0585068399
- 9780585068398
- Zen arts -- Japan
- Arts, Japanese -- Kamakura-Momoyama periods, 1185-1600
- Landscape painting, Japanese -- Kamakura-Momoyama periods, 1185-1600
- Zen literature -- Japan -- History and criticism
- Buddhist arts -- Japan
- Buddhism and the arts -- Japan
- ART -- Reference
- ART -- Performance
- Arts, Japanese -- Kamakura-Momoyama periods
- Buddhism and the arts
- Buddhist arts
- Landscape painting, Japanese -- Kamakura-Momoyama periods
- Zen arts
- Zen literature
- Japan
- 1185-1600
- 700/.42/0882943 21
- NX676.3.Z45 P36 1999eb
Includes bibliographical references (pages 279-291) and index.
1. The Chinese Religious and Cultural Context 23 -- 2. Japanese Five Mountains Zen and the Poem-and-Painting Scrolls 51 -- 3. The East Asian Religious Context for Cultural Practice 109 -- 4. Zen Buddhist Readings of the Landscape: The Hermit at Court 135 -- 5. Buddhist Illusion and the Landscape Arts 155 -- 6. Buddhist Playfulness and the Landscape Arts 183.
"Examining inscriptions on landscape paintings and related documents, this book explores the views of the "two jewels" of Japanese Zen literature, Gido Shushin (1325-1388) and Zekkai Chushin (1336-1405), and their students. These monks played important roles as advisors to the shoguns Ashikaga Yoshimitsu (1358-1408) and Yoshimochi (1386-1428), as well as to major figures in various michi or Ways of linked verse, the No theatre, ink painting, rock gardens, and other arts. By applying images of mountain retreats to their busy urban lives in the capital, these Five Mountain Zen monks provoke reconsiderations of the relation between secular and sacred and nature and culture."--Jacket.
Print version record.
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