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Possessing nature : museums, collecting, and scientific culture in early modern Italy / Paula Findlen.

Κατά: Τύπος υλικού: ΚείμενοΚείμενοΣειρά: Studies on the history of society and culture ; 20.Εκδότης: Berkeley : University of California Press, �1994Περιγραφή: 1 online resource (xvii, 449 pages) : illustrations, mapΤύπος περιεχομένου:
  • text
Τύπος υλικού:
  • computer
Τύπος φορέα:
  • online resource
ISBN:
  • 9780520917781
  • 0520917782
Θέμα(τα): Είδος/Μορφή: Επιπρόσθετες φυσικές μορφές: Print version:: Possessing nature.Ταξινόμηση DDC:
  • 508/.074/45 20
LOC classification:
  • Q105.I8 F56 1994eb
Πηγές στο διαδίκτυο:
Περιεχόμενα:
Locating the museum -- "A world of wonders in one closet shut" -- Searching for paradigms -- Sites of knowledge -- Laboratories of nature -- Pilgrimages of science -- Fare esperienza -- Museums of medicine -- Economies of exchange -- Inventing the collector -- Patrons, brokers, and strategies -- Epilogue: The old and the new.
Περίληψη: In 1500 few Europeans regarded nature as a subject worthy of inquiry. Yet fifty years later the first museums of natural history had appeared in Italy, dedicated to the marvels of nature. Italian patricians, their curiosity fueled by new voyages of exploration and the humanist rediscovery of nature, created vast collections as a means of knowing the world and used this knowledge to their greater glory. Drawing on extensive archives of visitors' books, letters, travel journals, memoirs, and pleas for patronage, Paula Findlen reconstructs the lost social world of Renaissance and Baroque museums.
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Includes bibliographical references (pages 409-432) and index.

Locating the museum -- "A world of wonders in one closet shut" -- Searching for paradigms -- Sites of knowledge -- Laboratories of nature -- Pilgrimages of science -- Fare esperienza -- Museums of medicine -- Economies of exchange -- Inventing the collector -- Patrons, brokers, and strategies -- Epilogue: The old and the new.

In 1500 few Europeans regarded nature as a subject worthy of inquiry. Yet fifty years later the first museums of natural history had appeared in Italy, dedicated to the marvels of nature. Italian patricians, their curiosity fueled by new voyages of exploration and the humanist rediscovery of nature, created vast collections as a means of knowing the world and used this knowledge to their greater glory. Drawing on extensive archives of visitors' books, letters, travel journals, memoirs, and pleas for patronage, Paula Findlen reconstructs the lost social world of Renaissance and Baroque museums.

Print version record.

OCLC WorldCat Holdings

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Πανεπιστήμιο Πατρών, Βιβλιοθήκη & Κέντρο Πληροφόρησης, 265 04, Πάτρα
Τηλ: 2610969621, Φόρμα επικοινωνίας
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