Carlo Scarpa architect intervening with history Nicholas Olsberg, George Ranalli, Jean - Francois Bedard...[et al.]; photographs by Guido Guidi
Τύπος υλικού:
ΚείμενοΓλώσσα: Αγγλικά Λεπτομέρειες δημοσίευσης: New York Monacelli Press 1999Περιγραφή: 253 p. phot. 26 cmISBN: - 1580930352
- 720.92
| Τύπος τεκμηρίου | Τρέχουσα βιβλιοθήκη | Ταξιθετικός αριθμός | Αριθμός αντιτύπου | Κατάσταση | Ημερομηνία λήξης | Ραβδοκώδικας |
|---|---|---|---|---|---|---|
![Book [21]](https://library.upatras.gr/nereus/nereus-book-yes.png "Book [21]")
Book [21]
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Αρχιτεκτονική | 720.92 SCA (Περιήγηση στο ράφι(Άνοιγμα παρακάτω)) | 1 | Διαθέσιμο | 025000094774 |
Catalog of the exhibition held at the Canadian Centre for Architecture, Montreal, from 26 May to 31 October 1999.
Includes bibliography and index
Introduction / Nicholas Olsberg -- Three Museums: Photographs / Guido Guidi -- History, Craft, Invention / George Ranalli -- Project and Portfolio Notes / Jean-Francois Bedard -- Palazzo Abatellis -- Canova Plaster Cast Gallery -- Museo di Castelvecchio -- Veritti House -- Olivetti Showroom -- Palazzo Querini Stampalia -- Banca Popolare di Verona -- Brion Family Tomb -- The Brion Family Tomb: Photographs / Guido Guidi -- Thinking with the Eyes / Guido Guidi -- The Art of Display / Sergio Polano -- The Renewal of the Castelvecchio / Alba Di Lieto -- Scarpa Today / Mildred Friedman.
Review: "Between 1953 and 1978 the Italian architect Carlo Scarpa produced an incredibly varied range of works that challenge our notions of what modern architecture might be. Foremost in that work was the need to reconcile a wholehearted embrace of the new with the longstanding traditions of local craft and of universal practice to create an architecture that would clearly express its own machine-driven times without abandoning the psychic and sensual forces of place, materiality, and memory." "Carlo Scarpa, Architect: Intervening with History illustrates, through abundant reproductions of Scarpa's drawings, the ways the architect created a dialogue with light, space, and architecture within the historic fabric of Italian cities. Presenting these projects as they exist today, the patient eye of contemporary photographer Guido Guidi deepens our understanding of this timely approach to architectural dialogue."--Jacket.
