The actor and the character : explorations in the psychology of transformative acting / [edited by] Vladimir Mirodan.
Τύπος υλικού: ΚείμενοΛεπτομέρειες δημοσίευσης: Abingdon, Oxon : Routledge, 2019.Περιγραφή: xi, 189 σ. ; 23 εκISBN:- 9781315723433 (Master)
- 9781317527954 (Adobe Reader)
- 9781317527947 ( ePub3)
- 9781317527930 (Mobipocket Unencrypted)
- 9781138852518 (hbk)
- 9781138852525 (pbk)
- 792.028 23
Τύπος τεκμηρίου | Τρέχουσα βιβλιοθήκη | Ταξιθετικός αριθμός | Αριθμός αντιτύπου | Κατάσταση | Ημερομηνία λήξης | Ραβδοκώδικας |
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Book [21] | Θεατρικών Σπουδών | 792.028 MIR (Περιήγηση στο ράφι(Άνοιγμα παρακάτω)) | 1 | Διαθέσιμο | 025000266869 |
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792.028 MAR Το σώμα μιλά : | 792.028 MEI Sanford Meisner on acting / | 792.028 MEY Approaches to acting | 792.028 MIR The actor and the character : | 792.028 MIT Systems of rehearsal : Stanislavsky, Brecht, Grotowski and Brook / | 792.028 MIT Systems of rehearsal : Stanislavsky, Brecht, Grotowski and Brook / | 792.028 MON Η καθημερινή ζωή των ηθοποιών την εποχή του Μολιέρου |
Περιλαμβάνει βιβλιογραφία και ευρετήριο.
An independent character -- A brief history of type -- Friends for life: character and literary criticism -- The drama of no character -- Constructing the character -- Psychologies: I. Trait, type and temperament -- Psychologies: II. Conflict and energy -- Psychologies: III. Character on the couch -- Imagining the character -- Experiencing the character -- Deception, self-deception and the transformative actor.
"What are the physical and psychological processes which enable actors to create characters so different from themselves? To understand this unique phenomenon, Vladimir Mirodan provides both a historical overview of the evolution of notions of 'character' in Western theatre and a stunning contemporary analysis of the theoretical implications of transformative acting. The Actor and the Character speaks not only to academics and students, but contributes to current lively academic debates around character. Mirodan boldly re-examines some of the fundamental assumptions of actor training and some basic tenets of theatre practice to ask: What happens when one of us 'becomes somebody else'?"--