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Digital performance a history of new media in theater, dance, performance art, and installation Steve Dixon; with contributions by Barry Smith

Κατά: Συντελεστής(ές): Τύπος υλικού: ΚείμενοΚείμενοΓλώσσα: Αγγλικά Σειρά: Λεπτομέρειες δημοσίευσης: Cambridge, Mass.; London MIT Press c2007Περιγραφή: xv, 809 σ. ill. 24 cmISBN:
  • 9780262042352 ((alk. paper))
Θέμα(τα): Ταξινόμηση DDC:
  • 700.285 22
Περιεχόμενα:
Introduction -- I: HISTORIES: The genealogy of digital performance -- Futurism and the early Twentieth-Century avand-garde -- Multimedia theater, 1911-1959 -- Performance and technology since 1960 -- II: THEORIES AND CONTEXTS: Liveness -- Postmodernism and Posthumanism -- The digital revolution -- Digital dancing and software developments -- III: THE BODY: Virtual bodies -- The digital double -- Robots -- Cyborgs -- IV: SPACE: Digital theater and scenic spectacle -- Virtual beauty: the search for immersion -- Liquid architectures and site-specific fractures in reality -- Telematics; conjoining remote performance spaces -- Webcams: the subversion of surveillance -- Online performance: "LIve" from cyberspace -- "Theater" in cyberspace -- V: TIME: Time -- Memory -- VI: INTERACTIVITY: "Performing" interactivity -- Videogames -- CD-ROMs -- Conclusion.
Περίληψη: "The past decade has seen an extraordinarily intense period of experimentation with computer technology within the performing arts. Digital media has been increasingly incorporated into live theater and dance, and new forms of interactive performance have emerged in participatory installations, on CD-ROM, and on the Web. In Digital Performance, Steve Dixon traces the evolution of these practices, presents detailed accounts of key practitioners and performances, and analyzes the theoretical, artistic, and technological contexts of this form of new media art."--ΠΕΡΙΓΡΑΦΗ ΕΞΩΦΥΛΛΟΥ.
Αντίτυπα
Τύπος τεκμηρίου Τρέχουσα βιβλιοθήκη Ταξιθετικός αριθμός Αριθμός αντιτύπου Κατάσταση Ημερομηνία λήξης Ραβδοκώδικας
Book [21] Book [21] Θεατρικών Σπουδών 700.285 DIX (Περιήγηση στο ράφι(Άνοιγμα παρακάτω)) 1 Διαθέσιμο 025000198577

Includes bibliography (p.[737]-776) and index

Περιέχει βιβλιογραφία (σ. [737]-776) και ευρετήριο

Introduction -- I: HISTORIES: The genealogy of digital performance -- Futurism and the early Twentieth-Century avand-garde -- Multimedia theater, 1911-1959 -- Performance and technology since 1960 -- II: THEORIES AND CONTEXTS: Liveness -- Postmodernism and Posthumanism -- The digital revolution -- Digital dancing and software developments -- III: THE BODY: Virtual bodies -- The digital double -- Robots -- Cyborgs -- IV: SPACE: Digital theater and scenic spectacle -- Virtual beauty: the search for immersion -- Liquid architectures and site-specific fractures in reality -- Telematics; conjoining remote performance spaces -- Webcams: the subversion of surveillance -- Online performance: "LIve" from cyberspace -- "Theater" in cyberspace -- V: TIME: Time -- Memory -- VI: INTERACTIVITY: "Performing" interactivity -- Videogames -- CD-ROMs -- Conclusion.

"The past decade has seen an extraordinarily intense period of experimentation with computer technology within the performing arts. Digital media has been increasingly incorporated into live theater and dance, and new forms of interactive performance have emerged in participatory installations, on CD-ROM, and on the Web. In Digital Performance, Steve Dixon traces the evolution of these practices, presents detailed accounts of key practitioners and performances, and analyzes the theoretical, artistic, and technological contexts of this form of new media art."--ΠΕΡΙΓΡΑΦΗ ΕΞΩΦΥΛΛΟΥ.

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