Dramaturgy in American theater :
Dramaturgy in American theater : a source book /
edited by Susan Jonas, Geoffrey S. Proehl ; consulting editor, Michael Lupu.
- Fort Worth : Harcourt Brace College Publishers, c1997.
- xvii, 590 σ. ; 23 εκ.
Περιλαμβάνει βιβλιογραφία (σ. 558-569) και ευρετήριο.
Part I: Precedents and New Beginnings -- Preview -- Anne Cattaneo, Dramaturgy: An Overview -- Joel Schechter, In the Beginning There Was Lessing -- Then Brecht, Muller, and Other Dramaturgs -- Martin Esslin, Towards an American Dramaturg: Adapting the Function of Dramaturgy to US Conditions -- Jonathan Marks, On Robert Brustein and Dramaturgy -- Robert Brustein, from The Future of an un-American Activity -- Jonathan Kalb, Notes for a Definition -- Part II: Toward a Dramaturgical Sensibility -- Oscar G -- Brockett, Dramaturgy in Education: Introduction -- Mark Bly, Bristling with Multiple Possibilities -- Art Borreca, Dramaturging New Play Dramaturgy: The Yale and Iowa Models -- Jane Ann Crum, Toward a Dramaturgical Sensibility -- Arthur Ballet, Why in the Hell Are We So Serious? Heidi Gilpin, Shaping Critical Spaces: Issues in the Dramaturgy of Movement Performance -- Mark Lord, The Dramaturgy Reader -- Richard Pettengill, Dramaturgy Education -- Michael Lupu, There Is Clamor in the Air -- Leon Katz, The Complete Dramaturg -- Part III: Models of Collaboration -- Geoff Proehl, The Images Before Us: Metaphors for the Role of the Dramaturgy in American Theater -- Tori Haring-Smith, The Dramaturgy as Androgyne: Thoughts on the Nature of Dramaturgical Collaboration -- Allen Kuharski, Joseph Chaikin and the Presence of the Dramaturg -- Mira Rafalowicz, Mira Rafalowicz: Dramaturg in Collaboration with Joseph Chaikin -- Royston Coppenger and Travis Preston, The Way We Work Together -- Gregory Gunter, Exploration Through Imagery: Gregory Gunter Talks About Working with Anne Bogart -- "How to Talk to a Playwright": Panel Discussion with Steve Carter, Constance Congdon, John Glore, Philip Kan Gotanda, Eric Overmyer, and Sandy Shinner Allen Kennedy -- Professional Theater and Education:Contexts for Dramaturgy -- Richard Pettengill, Education and Community Programs at the Goodman Theater, 1996 -- Lee Devin, Conceiving the Forms: Play Analysis for Production Dramaturgy -- John H -- Lutterbie, Theory and the Practice of Dramaturgy -- Part IV: New Contexts -- Susan Jonas, The Dramaturg-Director: Aiming the Canon at Now -- Carl Weber, Foreign Drama in Translation -- Some Reflections on Otherness, Xenophobia, the Translator''s Task.
0155025864
96079351
Θέατρο--Παραγωγή και σκηνοθεσία
Δράμα--Ιστορία και κριτική
812.01
Περιλαμβάνει βιβλιογραφία (σ. 558-569) και ευρετήριο.
Part I: Precedents and New Beginnings -- Preview -- Anne Cattaneo, Dramaturgy: An Overview -- Joel Schechter, In the Beginning There Was Lessing -- Then Brecht, Muller, and Other Dramaturgs -- Martin Esslin, Towards an American Dramaturg: Adapting the Function of Dramaturgy to US Conditions -- Jonathan Marks, On Robert Brustein and Dramaturgy -- Robert Brustein, from The Future of an un-American Activity -- Jonathan Kalb, Notes for a Definition -- Part II: Toward a Dramaturgical Sensibility -- Oscar G -- Brockett, Dramaturgy in Education: Introduction -- Mark Bly, Bristling with Multiple Possibilities -- Art Borreca, Dramaturging New Play Dramaturgy: The Yale and Iowa Models -- Jane Ann Crum, Toward a Dramaturgical Sensibility -- Arthur Ballet, Why in the Hell Are We So Serious? Heidi Gilpin, Shaping Critical Spaces: Issues in the Dramaturgy of Movement Performance -- Mark Lord, The Dramaturgy Reader -- Richard Pettengill, Dramaturgy Education -- Michael Lupu, There Is Clamor in the Air -- Leon Katz, The Complete Dramaturg -- Part III: Models of Collaboration -- Geoff Proehl, The Images Before Us: Metaphors for the Role of the Dramaturgy in American Theater -- Tori Haring-Smith, The Dramaturgy as Androgyne: Thoughts on the Nature of Dramaturgical Collaboration -- Allen Kuharski, Joseph Chaikin and the Presence of the Dramaturg -- Mira Rafalowicz, Mira Rafalowicz: Dramaturg in Collaboration with Joseph Chaikin -- Royston Coppenger and Travis Preston, The Way We Work Together -- Gregory Gunter, Exploration Through Imagery: Gregory Gunter Talks About Working with Anne Bogart -- "How to Talk to a Playwright": Panel Discussion with Steve Carter, Constance Congdon, John Glore, Philip Kan Gotanda, Eric Overmyer, and Sandy Shinner Allen Kennedy -- Professional Theater and Education:Contexts for Dramaturgy -- Richard Pettengill, Education and Community Programs at the Goodman Theater, 1996 -- Lee Devin, Conceiving the Forms: Play Analysis for Production Dramaturgy -- John H -- Lutterbie, Theory and the Practice of Dramaturgy -- Part IV: New Contexts -- Susan Jonas, The Dramaturg-Director: Aiming the Canon at Now -- Carl Weber, Foreign Drama in Translation -- Some Reflections on Otherness, Xenophobia, the Translator''s Task.
0155025864
96079351
Θέατρο--Παραγωγή και σκηνοθεσία
Δράμα--Ιστορία και κριτική
812.01
